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Thanks Nate for this insight here (and in the NY Times profile) into Henry Threadgill's soundworld. Reading about his mutable music and the intervallic system I was reminded much of Brahms' approach, among other classical composers that followed him. I have been a fan of Threadgill's music since the Sextett days and have worked my way backward and forward in his output since that time, eagerly awaiting his next elusive recording. I don't have the new Zooid album yet, but it is on my list. When I moved to NY many moons ago, his was the first show I saw, so I was sorry to miss the recent Roulette show, but happy to know that he is still putting out exciting and interesting music; I hope to be so lucky when I'm his age!

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